Category Archives: Writing

A Improperly Behaved Muse in a Properly Behaved Day

Story of the Day

So my muse had a heydey. It talked to me about two stories too sprawling for me to want to take any time to write just now, with other more important stuff to read and write on my plate, but oh! how it talked. The potential in the premises, the possibilities!

May I remind you I have The Rothnen Cycle to write, City of Glass to sketch out, and a heap of a lot of writing/publishing work for my other pen name?

Duly reminded, my muse's response went something like: Write it down! Write it down! We'll do it later and it'll be big and we can make a series of it, and we could do this and we could do that and...

May you all be blessed with more tractable, less distractible muses than mine!

Vardin Word of the Day

hieret | hyeret [ HEE eh ret ] or [ HYEH ret ] from h - l/y - r (etym. )

b. a. #n. behaving oneself properly within the traditions or demands of society, household law, etc.

In short, what my muse has not been.

Written Work of the Day

I did accomplish something worthwhile on the actual main attraction of my writing world, but I shall present a snippet from the muse's illicit love affair instead.

On the corner of Fifth Street, on the north side of the Kingdoms in the City Beshet, stands a small, dingy grey building, almost a shack rather than a building, but the walls are of moldered brick, not wood, and the glass is still quite good, so perhaps it is still just a building and an engraved brass sign hangs over the door: "Hero for Hire—Inquire Within."

Through the glass, we can see that just inside is a tall, drab grey desk stands with a man sitting pulled up to it in a chair overlarge but comfortable. He at least has escaped the drabness of his shabby, grey world and is dressed rather smartly for a man down on his luck in a fine blue sweater and respectable slacks. A pair of glasses perches on his nose, but these we must assume he removes when swashbuckling as a hero ought, and overall, the look of him inspires confidence. His name is Cameron Wyatt.

He could even be successful with such an air about him, but alas! The clients sit and cross their ankles or arms and offer jobs which he must patiently explain—over and over—are for villains, not for heroes. It is quite clear that few in this brave and fractured world even understand the difference. The young Mr. Wyatt's face grows grim as he opens his daily mail—mostly bills, we surmise—and finally, we see through the glass that he has turned inward, toward the secretary's desk in the corner, and told her something.

The next morning, a small sign appears in the window. "Now hiring, villain. Inquire within."

I suppose he grew tired of leaving money on the table.

Rec of the Day

A Natural History of Dragons by Marie Brennan

A Natural History of Dragons by Marie Brennan

This book has excited me since Marie Brennan first started talking about it, and now there's an excerpt and it's a delight, in keeping with the word of the day, about a young lady who is anything but properly behaved (more power to her).

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Vishata: Beginnings, Sketching, and the Writing Process

Story of the Day

Today was a day of beginnings—the Vardin kind, the kind that will hopefully start a new way of living my world.

On the mundane fronts, I had a job interview today, a job interview yesterday, and a very busy life trying to get thank you and Christmas cards written. Turns out that I'm behind on everything, especially reading other people's books, but I'm hopeful that come January, I will be gainfully employed and financially independent. Yay.

On the writerly front, I was talking (f-locked) to trovia and also to Kira Butler about sketching and layering as a writing process.

I write it as if it's fanfiction, as if everyone in the world knows exactly what I'm saying, then on the next layer, I really think of the ambience and context from my character's POV and layer in more and anything I think must be understood by the reader, then last I really think of the uninitiated reader and tuck in all the necessaries to help them along. Ship to beta, go back and layer in with answers to all her questions.

It got me to thinking, and I decided to do something I hadn't thought of before, hadn't dreamed of—just. write. the. story. down.

Forget the fancy words, the narrative, the dialogue, the beautiful scenes; just get it down! It's a lump of telling just now, split into paragraphs at the appropriate junctures with the occasional nugget of real written story begun. I'm not incorporating the mess of material already written because it bogs me down getting the whole big picture on paper. When it's finally down, we can layer from there.

Vardin Word of the Day

vishata | vishahta [ vi SHAH tah ] or [ vi SHAH tuh ] from v-sh-t (etym. Old Vardin)

ht. n. #p. 1. originating historical events, usually presented in a series or set of stories; 2. the set of records detailing the stories of the founding members of the Houses of Vardin.

vishata, hunter plural, the happenings which cause or originate a particular period of time, usually the present era.. s. vashet, pl. vishata. [from Old Vardin, v-sh-t.]

Written Work of the Day

Yesterday, I began work on sketching out The Rothnen Cycle. It's a sketch, not an outline or a draft in the traditional sense, though it will be once that sketch is fleshed out, so I arbitrarily set 120,000 words as the book word count goal (this is perhaps an understatement), and I will be regularly posting progress counts (unless you all announce that you would rather I not, in which case, I'll throw them on a page somewhere—like my sidebar—instead).

1369/120000 words. 1.1% done.

And a scribble for good measure:

It was a late wind—too blustery, too wintry for the turning of spring to summer. Keisleh closed her mouth against the cold, ragged tickle it left in the back of her throat.

Rec of the Day

So M.C.A. Hogarth has a Pinterest at last!

M.C.A. Hogarth on PinterestAnything new going on with your muse or writing process? Any special things you've read or places you've visited?

Something attempted, something done,
Has earned a night's repose.

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The Next Big Thing: Rothnen Cycle

Rabia Gale tagged me for the Next Big Thing meme, wherein I wax eloquent on matters of this big novel I'm supposed to be writing next. I've got a few issues with picking a project, something about the fact that I've had two of them for a while and have had yet to nail my focus, but I'm going to just pick one and run with it.

1. What is the working title of your next book?

The Rothnen Cycle

I learned something about myself over the course of failing NanoLite: I kept trying to segregate out the different plot threads of City of Glass, of The Rothnen Cycle, and kept failing miserably. I couldn't find and keep my focus, so I kept not getting anywhere with either of them, despite knowing way more about both stories than a girl ought.

Job hunt put me on the right direction: I'm a detail-oriented of the whole big picture kind of gal and I kept losing the forest for the trees. Thus, the title of the book is technically what I thought was a series title because it gives me back my focus. It's a rather expanded version of the Vardin story.

2. Where did the idea come from for the book?

Vardin was born from my fandom tendencies, the exposition of the theories I developed regarding gifts and powers, and this story itself was born from the way I acquire characters, make them my own in the premise of my making, and all the dynamics and tightly interwoven relationships that emerged from playing them out in the Vardin world. The Rothnen Cycle covers not even the tip of my personal storyworld iceberg, but it captures a big picture of a fragile time when the outside world 'discovers' Vardin—which has always known about the outside world—, the people involved in that discovery, who cause that discovery, and who are most affected by it. It covers the couples who are bound, whether they know it or not, and yet held apart by the distance between baseline human and gifted human and how those bonds affect Vardin as a whole.

3. What genre does your book fall under?

Science Fiction Fantasy. It's really science fiction, but I've never liked to limit myself and I write it in a firmly fantasy style half the time.

4. What actors would you choose to play the part of your characters in a movie rendition?

I plead the fifth. Seriously. I've been 'acquiring' characters since I was five years old and now, they are truly mine, but I wouldn't exactly want to hand out to the world who each character was based on. Though I think only a handful will be obvious to those in the know.

5. What is the one-sentence synopsis of your book?

:blinks: Might I mention that this is cruel and unusual punishment to try to even shoehorn an almost series-length book into a single sentence? Duly mentioned, here goes:

The Queen of Vardin is dying, a team of explorers has ventured upon the land's hidden shore, and the whole world is about to discover a place where people are divided between the baseline and the gifted, where dragons and mythical creatures are real, and where the balance of power in Vardin can affect the entire world.

6. Will your book be self-published or represented by an agency?

Self-Published

7. How long did it take you to write the first draft of the manuscript?

Still working...

8. What other books would you compare this story to within your genre?

I wish I knew, but I really don't.

9. Who or what inspired you to write this book?

See #2. Also, Kirsten of A Scenic Route. She liked a snippet from Storm, the first part of The Rothnen Cycle, and startled me into realizing I had found the Vardin voice.

10. What else about the book might pique the reader’s interest?

To create a one-sentence summary makes the whole story seem so big stakes, big picture, but the truth is that this is a story about individuals making choices, commitments, and sacrifices based on their love for significant others, for their families, for their nation. It's about a Queen who can either care for her people or marry the man she will always be bound to. It's about an outsider who learns the terrible secret of Vardin and must choose between the world he's always known and the one that embraces him as its own. It's about a girl raised as an outsider but born to Vardin and wishing as hard as she can that she could be both. It's about the hard choice between forcing the guardians to remain hidden in their own land or allowing them to reveal what they really are—and put the whole world at risk of repeating Vardin's worst and most terrible mistakes.

 

Tagged: in_the_blue, lithiumlaughter, pygmymuse, and xenokattz. Fandom perfectly permitted.

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Meme: Character Writing

Snagged from likeadeuce:

Pick a character* I've written and I will give and explain the top five** ideas/concepts/etc I keep in mind while writing that character that I believe are essential to accurately depicting them.

* Try to make it someone I've written either often or recently in order for me to answer. Original or fandom permitted. Multiple requests permitted.
** May not actually be five.

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On Poetry and Prose: Which and Why and Wherefore

So I've been writing poetry again. Not just "The Darkness Cleave," but also "Shards of Heart," "we dreamless keep" (thank you, lithiumlaughter!), and "A Lady and a Dragon" (which I probably should have called "A Lady in the Dragon's Court."

After spending so long immersed in fiction, I'll admit to discovering an oddity about this recent bout of poetical bent: they're all from characters. "The Darkness Cleave" was Pyro from The Returning story arc and "Shards of Heart" from Kitty in the same.  "we dreamless keep" managed some straight up cummings inspiration but only attached to the story lithiumlaughter told of her student moved by it. "A Lady and a Dragon" is from Vardin character Jhemet, who really was a lady in the dragon's court.

I'm not sure why I'm writing poetry right now, except sometimes I still want to evoke and not smother in details of worlds too well formed, sometimes I want to layer in concrete, vivid images and ideas instead of just more words, words, words. I love words, but paint them spare as often as you paint them rich. I want to capture the essence of these characters at those exact moments and prose isn't cutting it because I'm not after a moment in time. I'm after an emotional moment, an inner state, a cusp of transition, a cold remembrance.

This is not to say I've been proseless. "Breath from a Stone" headed over to in_the_blue and bounced back with appropriate amounts of editing to be done. ( :headdesk: ) In short, it is my usual over and over again, but this one I expected. More. This more had a direction for me though and I'm more glad than ever that I have a wonderful beta.

Y'all writers out there: if you can stand it, get a beta who loves you and understands your writing better than anyone and won't cut you slack on a single comma or sentence fragment they think detracts from the story. Get a beta and a backup beta. She will be your favorite person very, very quickly.

In Breath, I've just discovered a whole new part of the world with a whole new mythology and perspective, and let's face it, every time I'd revisit Vardin, the story was deeper and richer as I was less afraid of throwing the reader headfirst into the world and telling the mess out of it. (Don't believe who ever said show, don't tell—it's show and tell, y'all.) So I ship off Jaguar and my beta ships back questions, good questions, the kind that tell me all the things I left out—some because I didn't know and some because I was afraid.

And that's just it: the balance I'm striking between poetry and prose right now did one of those stark unveiling moments for me. I'm afraid of my short stories in fiction, that it won't be enough, that it will be too much, that no one else will love it, that there won't be the heart that moves people, just a story, dead story, written in dead words on the page. And fear doesn't belong anywhere near my fiction.

I haven't succeeded at Nano-Lite yet. I've got so much more to write, to accomplish, though I do have words to add to that counter on my sidebar. But... If this month has helped me face my fears and just get. work. out. there—(2 shorts | 3 poems)—then this month has done its job. I need to let go of fear and trust the process, write and trust my beta will tell me when the heart is not painted on the page, write and edit and ship out those stories and poems and let. them. go.

So there you go. A bit of poetry and prose and which and why and wherefore the scribbler writeth.

Has your writing challenged you recently? Helped you grow as a person and not just a writer?

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This is Where I Buckle Down and Admit the Muse Won

So today, I struck a deal with my muse that went like so...

Dear Muse,

Under the circumstances of dire duress, I permit you to write anything you want during this November period under two conditions, as follows:

  1. You must produce words and a significant chunk of them at any point when I am following your guidance, and
  2. You must also produce definitive and significant progress on whatever story you undertake to have me write—

definitive meaning reliable, fully-formed, and complete; and significant meaning important and of sufficient volume to be worth my while.

Any failure to comply with the above conditions will result in immediate and summary dismissal of your input regarding which project I am working on.

Thank you and regards.

Sincerely,

the scribbler

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The Muse is a Strange and Finicky Creature

As soon as you commit it to one story, it flies to another. Breath from a Stone and now the unexpected The Dance of Souls are beginning to fill in a cohesive picture, filling in and explaining even more details from stories I already knew in the world of Breath.

This last story began as something in my head, a premise if you will, that did not want to resolve into any of the settings I had already developed. This may be because it came attached to its own and I refused to hire the storyworld. So, the story bounced about, determined to be hired, even if I'd already rejected its setting. I thought it was going to settle nicely into the Alliance, but that didn't happen because with the Talons and the Medes, there was no way I wanted to dump in another serious Clan premise with ethnic warfare or even conflict.

Then along comes this idea that fits neatly into Falhaer, a mountainous region of the world of Breath, and quickly drags along the characters, then basic situation, then story that I'd been thinking I might just skip.

Suddenly, of course, I want to write it, finish both stories, and thrill in how it even pulls in Sellenyn, whose story I already knew. Except I don't. I'm supposed to be writing City of Glass.

From our muses, preserve us!

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An Update on the Scribblings of the Scribbler

As some of you know, I'm quite busy trying to keep roof over head, redo a website, and provide necessary support for the movie project I've been a part of for... a long time. You probably don't know what I've been up to or why it's taken me so long.

En brief, am:

  1. proofreading a novella for a client
  2. drafting three stories for the last Ficlet o'ClockRoom for Magic, Breath from a Stone, and (fanfic) Girls that Go Bump in the Mind
  3. submittingsomething once weekly via the Heinlein challenge
  4. creating huge swaths of new functionality for a client's website
  5. creating huge swaths of new functionality for this website
  6. in the process of the above, identifying a plethora of bugs for the Pods CMS team
  7. finishing a huge special cleaning job and then heading into my regular time-consuming cleaning job
  8. applying for work in Civil Services :prays... hard:
  9. trying to order the muse to pipe down on City of Glass and Storm (It's a tad ambitious to try to finish three shorts and two novellas simultaneously. Just saying.)
  10. reading everyone else's blogs and posted fiction in the smatterings of moments I dare to ambitiously call "free time"

What's on your docket?

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