Category Archives: Fandom

Picking Myself Up. Sort of.

This entry is part 57 of 103 in the series Daily Scribble Reports

Picking myself up. A bit. I got a gift sent and an end of January scribble post done. I haven’t finished my end of January reading post just yet. Signed up for the Invisible Ficathon, but still have to write my letter/prompts for it.

I didn’t actually decide to write a fanfic, but I did write a fanfic, so. Started on Tracing Trouble at 2569 words. We’re getting somewhere. Ended at 2857.

Finished my letter/prompts.

Accidentally wrote another 879 words. A poem snippet came to me and it opened a story I'm not supposed to be writing right now! But then, I have been wanting to work on something truly still in the abyss, without considering the parameters. I have a theory about plot and my thinking process, but I'll share more about that later. Updating word counts.

Word Counts:

  • Fiction: 1950 words
  • Blog: 1079 words

February Totals

Pieces Started

  • Fanfic: "Wholeness of Self," one-shot.
  • Fiction: Hear the Stars, novella.

Completed Pieces

  • Fanfic: “Wholeness of Self,” 783 words.
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A New Year's Scribbler: January 1, 2014

This entry is part 31 of 103 in the series Daily Scribble Reports

The daily scribble posts are back. On New Year's Day, I didn't actually expect to be productive. I expected laid back holiday, wherein we ate a scrumptious meal, spent time with family, and kept our four-year-old tradition of a treasure hunt, albeit a week late due to my sister and I having been sick heading into Christmas.

We did that, but I was also productive.

Reading

Read through some Yuletide reveals and one of the two new stories at Beneath Ceaseless Skies. I also 'accidentally' stayed up to 2 o'clock in the morning reading Lynn Austin's Return to Me.

Note: I am extremely picky about historical and non-Old Testamental Biblical fiction. Most of it bores me unless it's written extraordinarily well. I tend to like Old Testament stories and I like classics that were written in historical periods, but not ones written about said historical periods. That said, I liked Lynn Austin's Gods and Kings series about Hezekiah. This book is set during a period of Biblical history that fascinates me (and is Old Testament): the interval between Daniel and Esther wherein there was Ezra, Nehemiah, Zechariah, and Haggai. So I figured I'd like this book.

It had issues. Overall, I liked it. Can't say I loved it because the prologue was fabulous and then the first ten chapters were so tedious that I skipped five of them and probably never will read them. The middle was driven by a bad promise the main character kept despite knowing better on so many counts it wasn't even funny. The ending was fabulous. So... mixed feelings. Probably won't reread.

I've been reading The Drought and Quartz as well and am hoping to catch up within the next month.

Publishing

Hammered away at "Dowse and Bleed" by tweaking four or five lines that were bothering me (apparently I'm one of those artists who won't stop editing until you pry her work right out of her hands), laying out the interior less hyphenation, and figuring out whether to add chronology to the cover. Also categorized it as a science fiction procedural per BISAC. Thank you, lithiumlaughter and in_the_blue, for helping me figure that one out. I haven't decided whether I want to add an excerpt for a forthcoming story in there, but am leaning strongly toward not.

To publish this baby in January, I particularly need to finalize the cover and finish pounding away at the summary, which I was doing yesterday. I thought it was perfect than realized it really didn't have a strong enough emphasis on what a special-type human was or that this was superhuman fiction. :headdesk: Back to the drawing board.

I'm tempted to work on Kingdoms and Thorn for the February story, but then it might be waaay better to do one of the other storyworlds for lots of reasons, so leaving certainty on the back burner.

Writing

Wrote 12 sentences instead of seven on book I should not be writing but is pestering me anyway.

Did some percolating research for fanfics in progress. I've got a particular scene I want to write for Finding the Ground and am still mulling over exactly where I want to check into Laurie. I think I know, but I keep waffling.

Also reread a bunch of Divergent series stuff. Is it awful to say I want a serious romance fic on the level of short story like what I write for Rogue/Gambit? Tris and Four have this serious fade to black moment and I'm pretty sure it was the standard fade to black and I wanted more. Additionally, I've got other serious Divergent plot-bunnies. I'd like to make them wait until I update some of my older fics so many people are waiting on, but no promises. Never those.

Collaboration

Discovered the joys of Scrivener for collaboration. I can add status notes about who worked on which part last, setting keywords, folders for our alternate chapter/scene orders and compiled files, etc., etc., etc. And we're sort of writing multiple timelines, so the brain went crazy with ideas yesterday. For collaboration, Scrivener is awesome.

Which brings me to...

New Arrivals

Scrivener: I officially love you, thecatisacritic. Thank you!

Duotrope: I thought about submitting "Dowse and Bleed" before I changed my mind, but now have a trial of Duotrope. I should do Heinlein's challenge in light of it, but I don't need the pressure, so probably won't.

Word Count

  • Fiction: 49 words
  • Poetry: 0 words
  • Blog: 81 words
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The Scribbler Has Feels..., a.k.a. Some Serious Allegiant Meta

So I was pleasantly surprised. It pays to go in with your expectations on the floor. I received a gorgeous gift story for Yuletide that explored Four post-Allegiant, and it convinced me to finally buy the book, which I read in a couple hours this morning (Friday). Allegiant redeemed Insurgent for me. It brought the world together, painfully perhaps, but well. As for plot holes, I found none large enough to drive a truck through, but then, I've been in comics fandoms where these issues are on a whole other level.

So here goes some meta, hitting point by point the issues I was worried about and the stuff that blew me away in this book. From the beginning, I went looking for spoilers because at the end of Insurgent, I felt there was logic fail, and I have little tolerance for that. Spoilers implied there would be plenty.

Evelyn

When we first met Evelyn in book two, several things were quickly established:

  • Evelyn loved Tobias.
  • As soon as she felt it safe, she reopened communication with him.
  • She felt betrayed by the factions specifically because of how they failed her in her personal relationships with Marcus and Tobias.
  • Every opportunity, she reached out to her son for reconciliation.
  • She was jealous of Tobias' affection and loyalty.

Which is my way of saying, Roth extensively established the background for Evelyn's choosing Tobias over the city. It was beyond believable.

Caleb

When I wrote up my Insurgent reactions, I noted then that I understood how he could get swept into Jeanine's mindset even though I hated him for it. The interactions between Tris and Caleb in Allegiant are spot-on. Caleb felt guilty and terrible but had been willing to sacrifice his family for what he truly believed was the greater good. I get that.

Because of that, the fallout here was perfect. Caleb did need redemption, but the suicide mission wouldn't have given it to him. It would have taken away the time he needed to do the actual hard work of redemption, as it says later in the book of Peter,

"change is difficult, and comes slowly, and that is the work of many days strung together in a long line until the origin of them is forgotten."

That's what Caleb needs and I'm glad Tris gave him the chance to get it. As soon as I read the scene where everyone looks at him and guilts him into "volunteering," all of my insides were screaming this isn't right, this isn't a choice. It's guilt, cold and hard and simple. Tris realized that and finally admitted it and remembered that she promised she wouldn't have walked him to his own execution. If she had allowed Caleb to go through with it, she would have done something horribly despicable and gone against every good part of her there was.

In short, I wasn't sure if the build-up would be well done or not. It was. I believed in the way things played out. It was necessary and not even a little bit. It was downright coldly necessary.

Speaking of...

The Death Scene

So someone remarked about how she fights off the death serum and gets taken down by a bullet. WTF?

Again, I get it. After Nita, there was no way on heaven or earth I would have believed there wasn't someone in there guarding. She would've gotten shot at point blank range in the Weapons Lab or outside of it after she deployed the memory serum. Guards just outside the door, remember? Okay, memory serum might have saved her, but I really wouldn't have believed in it. This was a suicide mission, flat-out. I wouldn't have believed in anyone's survival going into that.

It was beautifully done. I hate the result, but I believed in it. 'Nuff said.

Tobias

So there were also those that thought Four's characterization suffered. I didn't believe that going in and I'm further unimpressed by the sentiment coming out. When you're not reading the thoughts behind his actions, he is just as strong and uncertain and hurting and stoic as portrayed in book number one. When you are reading the thoughts in his head, ignore them for a moment and read what he does and says on the outside. Yep. Still Four.

You don't get abused for sixteen years without getting broken. You don't go through your fear landscape and cringe like a child from a horrific image of your father and have that feeling go away a few months later just because you're in the middle of a war. In short, just because we feel his fear doesn't mean we're not seeing the exact same thing we saw before: someone who is very afraid of what few things he's afraid of, so much he has no room for other fears, and ignores his fear when deciding to act.

I was reminded a lot of the first few scenes in Divergent where Tris looks at him and recognizes the instability in him, the mercurial impulse he often squelches. We see it in Allegiant, and I respect him no less.

The Factions

I always loved the idea of the factions, though obviously they didn't work out well in practice, but they seemed to improve the cities where they were implemented. Think about it. It was focus, something the Bureau had little of. The Faction system pushed GDs to focus on the virtue inherent in their tendencies instead of the weakness. They focused on the good that came from their genes and how to use that good to its best and fullest to better their society and lives. In short, factions maximized the benefit of their genetic tendencies and helped to minimize the side effects.

Genetic Damage—Oh and Peter

Peter was the perfect example of someone who was truly genetically damaged. If he had been born Dauntless, he would have had a chance. That was his aptitude, that was his genetics, and that showed when he took the memory serum.

Allegiant redeemed Peter for me because he described so well the difficulty of himself. He grew up in Candor, which promoted honest living, which would encourage him to do what he wanted to. But what he wanted to do was bad.

"I'm sick of doing bad things and liking it and then wondering what's wrong with me. I want it to be over. I want to start again."

That is genetic damage in a nutshell. He had genetic tendencies that he was not raised to suppress, but he also knew something was wrong with him. So yeah, I buy this world. I buy that there really was an issue which caused the Purity Wars, though it obviously got skewed toward the victors.

And then there's the cities. Do they make logical sense to me? Oddly, yes.

Genetic manipulation took time to "take" so to speak. Generations. So they inserted the corrected/restored DNA into those in the experiments and then had to wait out the generations until that manipulation "took." In the meantime, the struggles GDs went through weren't going to just go away in the waiting, so they gave them cities and then got all high and mighty and forgot it was people they were trying to help, not a faceless "problem."

So yeah, I get it. I get it.

Summary

The book was extraordinarily satisfying and I reread parts and almost bought the hardcover at King Soopers, but I really want all three in paperback. I don't care for hardcover, too bulky, but I adore paperbacks. So there's that.

It's the first book in a long time that made me want to write. It also finally cleared up why I couldn't seriously and deeply fanfic in this world. I apparently needed an entire arc. Now, I've got so many plot bunnies, I expect a monster if I don't keep my head on original fiction.

That's my summary. I can't say I loved the book, but I can say I enjoyed it and was satisfied by it and am very glad I finally read it.

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Yuletide Has Arrived

So I made out like a bandit with two gorgeous gift fics, one for the Divergent trilogy and one for Roswell.

Tess, through the years.

Bookmarker's Notes

I have a thing for "hurts so good." This story hurts as it walks through Tess's life and the mental abuse Nasedo gave her, but it's so, so good. And the last line just slams you in the gut. Beautiful.

When the walls come tumbling down, it's not just about people being set free. It's about how others are able to come in, too.

Bookmarker's Notes

This is beautifully layered and nuanced and developed, a character study of Tobias and the city of Chicago after everything that happened. It hurt but in a good way. It was slow, but in a rich way. I forgave canon for this story.

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Fandom & I

This entry is part 5 of 8 in the series December Ramblings

So, this question—Can you tell me a bit about where you're at with fandom? How you got there?—from stormkpr...

I have gone through many phases of fandom. I'm sure for all of you who have stuck with me through several iterations and hiatuses that you already aware of this. Perhaps, you remember the times I've said I came back after a long flat-out absence from fandom. Well, here is my journey. It's not simple or pretty; in fact, it's pretty twisted, but here we go.

Round One: Roswell, Andromeda, X-Men, Mutant X, Avalon, etc.

So I entered fandom at a young teen stage of my life when anything I loved was something of a fangirl situation and my dad and sister were both the same. I did more graphics than fic at first, but I did write some popular Roswell/Andromeda stuff before my parents changed their collective minds about fandom and cracked down on it. I deleted my profile and for a long time, kept my pictures and fanfic archived personally, but lost those in a move.

When I got old enough to return sometime after the 3rd X-Men movie came out, I was starting from scratch. I hadn't intended to return ever. I had for years simply resisted the impulse to do anything fannish when I wanted to until there was no longer an impulse to resist. But I did return. I did.

Crisis of Writing, Crisis of Faith

I talk about this from time to time, but it's still hard. I wrote a book. The first draft was so terrible, it's not even funny. I wrote and reworked and finally got somewhere I liked with it. The worldbuilding was phenomenal: it incorporated most of my core ideas for fictional worlds, which I still repurpose today. At the same time, I was in the process of writing another story, Rain, which dealt with a huge faith crisis by the characters when Team Five left the Projects, a top-secret branch of the military. These two books broke me.

I mean that.

My grandmother means more to me than almost any other human on earth. She read what I had—and I was excited to share it—and was more than a little appalled. Oddly, it wasn't because of the issues I addressed, which is why I address those issues to this day. It was because some of the ways I grappled with those issues were in direct contradiction to my faith. My books about crises of faith became my crisis of faith and I literally got sick to my gut at the thought of ever writing my own work again. So I stopped cold. It was hard. That was the darkest period of my life. I was depressed, angry, hurt, sensitive, and not understanding how to find my way back to a God I hadn't even realized I'd walked away from.

Nevertheless, I have been a writer since I was old enough to know what a story was and how it was created. I had engraved that idea so deep into my identity that I literally couldn't not write. In despair, I turned to fanfiction. It changed my life.

Round Two: X-Men (all 'verses), Take the Lead, Secret Garden

It sounds melodramatic to say that, but it is something I have truly learned is my nature. When I cannot trust myself to write, I fanfic and in that second bout of fandom, I crossed over from amateur writer to absolute confidence in my own voice.

In the first three months of that year, I started three popular stories and wrote them consistently on a rotation basis. I was rather disciplined; it was nice.

Around that time, I got tendonitis, then I got on pau d'arco, a natural anti-inflammatory and the only one that helped me, and then I got an unexpected side effect I didn't track down to the tea until months and months later. I got insomnia. Every morning between 1 and 2 a.m., I woke up and could not go back to sleep unless it was the fifth or so such morning and I was exhausted.

Between that horribly early wake-up time and the time I got ready for work (more like 4:30 a.m.), I wrote fanfic. Needless to say, I racked up the word counts and produced roughly 300,000 words of posted fanfiction that year besides the unposted WIP stuff. My story count went through the roof and I had way too many balls in the air, but I wrote.

That's when I found out what I liked in a story, how to write a whole story, how to interpret reader feedback, what to ignore. I learned to experiment, to challenge myself, to post, and that's when I blew past the million words of crap line and more, knew it.

That's why it changed my life. When Dean Wesley Smith and company shared the first real information about the emerging independent author situation (and it was truly only just beginning), I immediately saw the parallel between the way fanfic was then handled and the way original fiction was going to be. I started thinking about it then, but I didn't really have one piece of my confidence back: the faith factor.

Finding My Way Back

After all the grief that period gave me, you would think the return would have been huge, climactic, and so infinitely memorable, I would know the exact moment everything changed.

Well... No.

I read some stuff of Rabia Gale's and Natalie Whipple's and Kayla Olsen and kept hammering away until gradually, I did find enough peace to tentatively begin trusting God again. Though really it wasn't Him I hadn't trusted before, it was myself. I didn't trust myself to know if I was really with Him or not. When that happened, I shifted focus.

I started hammering away at a story. Well, stories, but most died on the vine. One made it, the first I'd finished after that horrible, horrible year: "The Singer." When lithiumlaughter recently read this story, she loved the main character. What I didn't know until today was that story mirrors my emotional journey. The most important thing I had died and I had to make peace with God over it before it could live again. And oddly, I think that story's playing a lot into Justus', which is probably why for so long, I didn't want to touch his story, afraid I'd screw it up as badly as I screwed up Rain.

When I finished that story, I'd proved that I really could write and finish something again that belonged to me. And I stepped sideways.

Round Three: Everything

My original fiction worlds are so incredibly interrogative of the stories and poems and biblical themes and questions and struggles I love and fangirl that there is really, literally no difference between them to me. If anyone wants a catalog of the origin of one character or another, odds are 50% or better, they started out in my fandoms.

I thought I would balance fandom and canon at first but I couldn't do it. I immerse so deeply into one world or pairing at a time that everything comes unbalanced naturally all the time, and it's one or the other, this or that, move through sets of stories on rotation. Thus, I have hiatuses and do exchanges and go on the occasional original fiction binge, but none of them really take over my life. I have too many things I love to do and so have always spread myself too thin.

When I'm full up, I write. When I'm hurting and angry or scared, I fanfic.* When I'm empty and dry, I read and listen to music. There is very little overlap unless I force the issue, except reading. I always read.

This is my relationship to fandom. This is how I got there. It's one place I can be angry and hurt and afraid and lash out and cry out to God and the world, Why? I don't get it and somehow it's okay because then He answers back and no one else even knows the questions I was really asking. Sometimes I don't. For some things, there are no words.

For me, there are a lot of those some things.


*Fluffy, funny stuff just doesn't take a lot out of me, but that's a little different. I'm rarely invested in that stuff.

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Reading and Writing, Weekend October 24–27

This entry is part 23 of 103 in the series Daily Scribble Reports

So playing total catch-up here (I know, I know). On Thursday, I managed to write some at the end in the Justus POV fic of "Its Own Absolution" due to a wonderful antagonists prompt from in_the_blue. It gave me a good headstart. I percolated a lot on Sabbath about it, but didn't turn that sketch into fic until Sunday, and awkward fic at that.

Somewhere in there, I also sketched down some other stuff and have started to rethink my approach to this collaboration. I need something that doesn't fit easily into worldbuilding I've already done for any other story. It's not fair to thecatisacritic.

Also, trovia got me off on an amazing Avengers fanfic novel (I'm a sucker for brothers), so there's that. It took time to read and was good for when I was feeling totally bleh on the mental front.

To the counts:

October 24, 2013

  • Fiction: 1041 words - Month to Date: 29,911 words
  • Blog: 0 words - Month to Date: 8,803 words
  • Nonfiction: 48 words - Month to Date: 362 words

October 26, 2013

  • Fiction: 180 words - Month to Date: 30,091 words
  • Blog: 0 words - Month to Date: 8,803 words
  • Nonfiction: 0 words - Month to Date: 362 words

October 27, 2013

  • Fiction: 1139 words - Month to Date: 31,230 words
  • Blog: 0 words - Month to Date: 8,803 words
  • Nonfiction: 0 words - Month to Date: 362 words
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Upcoming Attraction

Can I just say that I am super-excited about the upcoming Captain America: Winter Soldier?

I've been interested in this triangle of characters meeting for a while: Black Widow, Winter Soldier, Captain America. I am so hoping they do it justice.

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Reading and Writing, October 19

This entry is part 18 of 103 in the series Daily Scribble Reports

So yesterday's post got left at work by accident. Will post it Monday and update the weekend posts to reflect accurate numbers. In the meantime, not doing good not reading before writing.

Yuletide assignments went out and all the pinch hits went during Sabbath. Nice. :shrugs: Oh, well.

And it's back to the crossover. And you know what? That's good enough for tonight. It's late. I'm tired and cranky, and boy, do I have a jam-packed day tomorrow. I've got a board meeting and shopping and board research and yuletide and Denny/Laurie reading and rugs to wash and a kitchen to take care of. Ah well.

Count

  • Fiction: 513 words - Month to Date: 22,799 words
  • Blog: 122 words - Month to Date: 7,895 words

365 Challenge

  • 228/365 – Kingdoms and Thorn/Fracture & Recall Crossover: The Right Question – 513 words
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A Fandom-Original Writer: Markers of Success

A while back, Kristine Rusch wrote about markers of success, which are entirely dependent on goals. Recently, I exchanged some dialogue on beta readers with Elle Casey and came to the realization that our goals were quite different. Her goal is to build a readership; mine is to build a fanbase. She didn't really understand the difference.

I have a pen name, my most successful one, where the goal is to sell books. The way to reach that goal is simple: write and publish more stories fitting the brand. It works. It pays my utilities bill when I get the payout.

Her goal is to draw in many new readers with each successive book. This means she'll probably have more reviews and sales overall than I do and each book probably should go through a new to her reader, as she suggests, to see how it'll go over with new-to-her readers.

My goal with Liana Mir comes straight out of fandom: I want fans. I want to write what I love and what fascinates me and know others feel the same way. That means I don't need many new readers with each release; I need to hold onto the ones I have, to make them feel something. It means that my ideal beta reader is both active in fandom and someone who becomes invested in my storyworld and can react like a fan, pointing out problems as they arise, such as the failure to sufficiently characterize Pieter. Important stuff, this. One of my favorite TV shows ever, Awake, had a relatively small viewership, but it had a devoted fanbase. I'm perfectly content with that sort of result. In fact, that's what I want. I want fans, who may or may not ever review and may be small in number but are high in engagement.

That said, my markers of success are:

  • Have readers who ask questions and want more.
  • Have fanwork created for my worlds.
  • See an in-depth review or piece of meta from someone I don't know.
  • Have readers I don't know who ask questions and want more.
  • Have fanwork created for my worlds by someone I don't know.

These are my personal goals and benchmarks. I've got number one with Kingdoms and Thorn and Faeology got interest and wanting more from strangers (though I've yet to deliver, having gotten sidetracked). Number two has happened for Vardin (fix-it fic) and I got that gift from my beta in Kingdoms and Thorn. The rest haven't happened yet, which is fine as I haven't actually gotten as much into the world yet. These stories are created for my fangirl side. I actually care about canon, so if it's not quite right, it doesn't get published.

I don't pretend everyone wants this, but it's what I want. To create something that rich and awesome that if it were authored by someone else, I would fangirl it.

What are your markers?

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Dear Yuletide 2013

So let's talk Yuletide. I believe this is where I'm supposed to share with you my loves, hates, and dealbreakers of fiction, plus incidental helpful asides on my requested fandoms. As a side note to that, if you write me in these fandoms, I will love you for it anyway.

That said…

My favorite stories to read are rich in worldbuilding or characterization, though I adore funny, fluffy little pieces as well. It's all about the characters for me. Okay, and the world. I love intellectual fic and fanfic, like figuring out how a superpower would logically work, exploring the implications of a speculative element, fixing unfixable canon details, taking something off-the-wall and turning into powerfully plausible within canon constraints, etc.

I admit to being easily squickable. I don't care for humor based on embarrasing situations or body-related humor at all. I'm extremely vanilla het in my romance taste (sorry, the easily squickable thing) and infinitely prefer deep friendship characterization to surface romance any day (there's too little good friendship gen fics anyway). Though deeply characterized romance is fine. Better than fine.

And dealbreakers. I try never to read:

  • Excessive swear words (or any if I can get away with it)
  • Gratuitous violence
  • Gore—at all
  • Horror
  • Zombies
  • Ghosts, spooks, spiritualism, paganism, etc.

And to the fandoms:

Awake (TV)

So this show ran too short! One little season that left me with a zillion questions and so many possibilities. I would adore Emma with Hannah/Michael fic and finding out how things go after keeping the baby. You can AU it and get him out of prison or even just do Emma + Hannah. I'd love to see that. One scene I've been hankering after for forever is when Captain Tricia Harper stole all the brownies when she met Michael, but let him have one when he caught her. But seriously, anything you write me in this 'verse will be HUGELY appreciated.

The episodes are all available from Amazon, Netflix, or iTunes. My favorite episode is the first, but that's followed pretty closely by "Say Hello to My Little Friend."

Divergent Trilogy

I cannot wait for Allegiant to come out, but since it's not out yet, we have fanfic to make up the difference. Right now, I'm particularly fascinated by the Amar + Four relationship, as developed in the two shorts, "Free Four" and "The Transfer," and also thoroughly in love with Natalie Prior. More about Tris' mom would make me extraordinarily happy: her Dauntless background or her falling in love with Andrew or her finding out about the video at the end of Insurgent. Then there's the Jeanine Matthews and Andrew Prior dynamic. They used to best friends. Seriously? I would adore seeing them younger or even their personal interactions as Jeanine starts painting Abnegation as terrible. I mean, this is her best friend's kid she's torturing. And of course, knowing Andrew's mom recorded the video, that was a bombshell I'd also love to see more about. I love and prefer the canonical relationships: friendships, siblings, family.

Onyx Court – Marie Brennan

So the only book of this series I own and have read is With Fate Conspire, though I did read the free short story available on Beneath Ceaseless Skies. Particularly, I love the character of Dead Rick, so I'd love anything with him in it, I'm very interested in that intriguing period where Valentin Aspell was dreaming for a century, and then Benjamin Hodge's childhood and selection as prince OR his picking up life again after the book would be extremely fascinating. Again, I'm pretty good with anything at this point, seeing as I don't think there's any fic in this universe at all.

The People — Zenna Henderson

Ingathering is one of my five favorite books of all time. Within that, my favorite story is far, far and away "Captivity." I missed nominating this one, so understand if you don't want to go here, but I would love to find out what happened to Francher. Did he go back for Twyla? Who was he with his mom? But especially Twyla. Barring that, I'd love to know more about Dita and her ancestral stone wall and finding out what she could do or her parents' and family's reaction and so forth.

Roswell

I'm one of those who loved this series through "Viva Las Vegas." I've liked RoswellianMisha's work  that accepts the end of the series as canon, but otherwise try to pretend it doesn't exist. Big on canonical pairings, but I'm particularly interested in Tess/Kyle or Tess + Kyle as sibling relationship. I'd love to see a fix-it where she doesn't kill Alex (which I always thought was an accident, then coverup), or really anything that gives some serious nonbashing Tess character development. She's an underdog: she was raised desperately wanting the Pod Squad as the only family she would ever have, and then they didn't want her and her alien ideas, so she tried to either offer them their alien legacy and simultaneously started learning to embrace her humanity. I want more of that without the atrocity of that murder in there. Please no dupes.

Whoever you are, thank you!

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